Bernardo Ortiz, Artist, Bogotá
Date: Thursday, December 1, 2106, 7pm to 8pm
Filmed on site at Art Basel in Miami Beach 2016
Saturday, January 28, 2017
Salon | Lecture Performance | 18 Low Resolution Stories
Tuesday, January 24, 2017
Salon | Discussion | New Biennials in the Americas
Ngahiraka Mason, Curator, Honolulu Biennial, Honolulu; Trevor Schoonmaker, Artistic Director, Prospect.4, New Orleans and Chief Curator, Nasher Museum of Art at Duke University, Durham; Rocío Aranda-Alvarado, Curator, Site Santa Fe and Senior Curator, El Museo del Barrio, New York; Pablo León de la Barra, Curator, Site Santa Fe and Guggenheim UBS Map Curator Latin America, Solomon R. Guggenheim Museum, New York
Moderator: Jens Hoffmann, Co-Artistic Director, Front International, Cleveland and Director of Special Exhibitions and Public Programs, The Jewish Museum, New York
Date: Thursday, December 1, 2016, 6pm to 7pm
Filmed on site at Art Basel in Miami Beach 2016
Monday, January 23, 2017
Monet at Fondation Beyeler
On the occasion of its twentieth anniversary, the Fondation Beyeler in Riehen (Basel, Switzerland) is presenting one of the most important artists in its collection: Claude Monet (1840-1926). The exhibition brings together sixty-three masterpieces from private collections and renowned museums such as the Musée d’Orsay in Paris, the Pola Museum in Japan, the Metropolitan Museum in New York, and the Art Institute in Chicago. The featured works span Monet’s artistic development from Impressionism to his famous late work. In his paintings, Claude Monet experimented with the changing play of light and colors in the course of the day and the seasons. The show presents his Mediterranean landscapes, wild Atlantic coastal scenes, different stretches of the Seine, meadows with wild flowers, haystacks, water lilies, cathedrals, and bridges shrouded in fog. 15 paintings from various private collections that are seen extremely rarely are special highlights of the show. This video provides you with an exhibition walk-through during the opening reception of the exhibition on January 21, 2017.
Monet at Fondation Beyeler in Riehen (Basel, Switzerland). Vernissage, January 21, 2017.
Salon | Debate | Public Museums & Private Partnerships
Neal Benezra, Director, San Francisco Museum of Modern Art, San Francisco; Norah Stone, Trustee, San Francisco Museum of Modern Art, San Francisco; Howard Rachofsky, Art Collector and Philanthropist, Dallas
Moderator: Carol Kino, Freelance Journalist, WSJ. Magazine, The New York Times, 1stdibs, Cultured, and others, New York
Date: Thursday, December 1, 2016, 5pm to 6pm
Filmed on site at Art Basel in Miami Beach 2016
Friday, January 20, 2017
Salon | On Collecting | What is Modern, Really?
David Fleiss, Co-Owner and Director, Galerie 1900–2000, Paris; Niklas Svennung, Partner and Senior Director, Galerie Chantal Crousel, Paris; Hubert Neumann, Collector, New York; Ahmed Alsoudani, Artist, New York
Moderator: David Ebony, Contributing Editor, Art in America, New York
Date: Friday, December 2, 2016, 2pm to 3pm
Filmed on site at Art Basel in Miami Beach 2016
Salon | Artist Talk | Francesco Clemente: Sleep of Reason
Francesco Clemente, Artist, New York, in conversation with Bonnie Clearwater, Director and Chief Curator, NSU Art Museum Fort Lauderdale, Florida
Date: Friday, December 2, 2016, 3pm to 4pm
Filmed on site at Art Basel in Miami Beach 2016
Thursday, January 19, 2017
Salon | Crowdfunding | Reclaiming Networks: Global & Local
Stefan Benchoam, Artist and Exhibition Maker, Director of Proyectos Ultravioleta and Co-Director of NuMu, Guatemala City; Katy Diamond Hamer, Art Journalist, New York; Chana Budgazad Sheldon, Director, Locust Projects, Miami; Wafaa Bilal, Artist, New York
Moderator: Renaud Proch, Executive Director, Independent Curators International, New York
Date: Saturday, December 3, 2016, 1pm to 2pm
Filmed on site at Art Basel in Miami Beach 2016
Wednesday, January 18, 2017
Salon | Artist Talk | Mark Dion: South Florida Endeavors
Mark Dion, Artist, New York, in conversation with Tim Rodgers, Director, Wolfsonian – FIU, Miami Beach
Date: Friday, December 2, 2016, 5pm to 6pm
Filmed on site at Art Basel in Miami Beach 2016
Tuesday, January 17, 2017
Stable Lad with a Lantern - Stable Lad with a Lantern
Austrian painter and writer Ferdinand Georg Waldmüller was one of the most important Austrian painters of the Biedermeier period.
Born on this day in 1793 in Vienna where he attended the Fine Arts Academy. Between 1817 and 1821 he principally focused on copying works by the Old Masters to be seen in the city’s museums and galleries and for a while worked as a miniaturist. In 1822 he exhibited five of his original works at the Fine Arts Academy. Three years later he made hisfirst trip to Italy, followed by visits to Dresden, Munich and Frankfurt. Over the next fifteen years he principally focused on portraiture. Waldmüller received his first royal commission in 1827 to paint two versions of the portrait of the Emperor Francis I (Wien Museum, and Hypotheken & Creditinstitut, Vienna). Waldmüller became the principal painter of the Biedermeier style in Austria and his paintings reflect a conservative, pleasant vision of middle-class life. His style is characterised by an attention to detail in the description of the settings and objects that surround the figures. Waldmüller was also a specialist in flower painting and from the 1830s began to paint views of the parks and outskirts of Vienna. In the following decade he became increasingly interested in genre paintings, particularly scenes of rural life, works in which the figures and details are painted in highly realistic manner with an intense illumination.
Ferdinand Georg Waldmüller
Stable Lad with a Lantern
Oil on panel
36,5 x 30 cm
1825
Salon | Discussion | Air Space, Third Space and Monumentality
Christian Wassmann, Founder, Studio Christian Wassmann, New York; Laura Raicovich, President and Executive Director, Queens Museum, New York; Matías Duville, Artist, Buenos Aires
Moderator: Arie Amaya-Akkermans, Head of Programmes, Ab/Anbar, Tehran
Date: Friday, December 2, 2106, 6pm to 7pm
Filmed on site at Art Basel in Miami Beach 2016
Monday, January 16, 2017
Wolfgang Rihm - Lichtes Spiel
Year of composition: 2009
The title of Lichtes Spiel might be translated as "Light Game" or "Light Play", and may be taken as a pun on the German expression "leichtes Spiel", meaning "an easy job"; or what we might call "Child's Play". Wolfgang Rihm has said that he intended it as "a transparent orchestral movement... something light, but not 'lightweight'". The result, which uses instrumental forces of Mozartian proportions, is a detailed, finely wrought score in which the composer provides fine-tuned indications of how practically every note is to be articulated.
Instructions for tempo and mood are similarly precise. For example, the notation governing the opening section: Un poco sostenuto, non troppo lento, poco à poco più scorrendo ("A bit sustained, not too slow, bit by bit more scurrying"). It is the sort of directive one sometimes finds in Beethoven, particularly in his late works.
A fair amount of variety is incorporated into this work as well, and extends to its dynamics, which occasionally reach a point of relative loudness -- most notably in a passage marked Allegro, un poco pesante ("Fast, rather heavy") about three-quarters of the way through. Nonetheless, high volume is a rarity in this piece, which is overwhelmingly skewed toward the quiet end of the sonic spectrum. In fact, the overriding dynamic indication would appear to be pianissimo: the work begins and ends at this very quiet level, and it returns throughout as a sort of reference point from which the music may depart but to which it always returns.
Salon | Debate | Spectacle, Events & Arts
Hrag Vartanian, Editor-in-Chief and Co-Founder, Hyperallergic, New York; Lady Bunny, Drag Queen, DJ and Founder of Wigstock, New York; Nicholas Baume, Curator of Art Basel’s Public Sector and Director and Chief Curator, Public Art Fund, New York
Moderator: Stan Parish, Editor-in-Chief, The Future of Everything at The Wall Street Journal, New York
Date: Saturday, December 3, 2016, 4pm to 5pm
Filmed on site at Art Basel in Miami Beach 2016
Sunday, January 15, 2017
Salon | Discussion | Latin American Collaborations
Catherine Petitgas, Collector and Patron, Chair of the Board of Gasworks/Triangle Network and Member of the Tate Latin American Acquisitions Committee, London; Alexandre Arrechea, Artist, Havana
Moderator: Ricardo Porrero, Editor-in-Chief, Revista Código and Founder, Gallery Weekend México, México City
Date: Saturday, December 3, 2016, 5pm to 6pm
Filmed on site at Art Basel in Miami Beach 2016
Friday, January 13, 2017
Salon | Discussion | Artists' Resale Royalties in the U.S.
Lauren van Haaften-Schick, Art Historian, Associate Director at The Art & Law Program, New York; Tony Matelli, Artist, New York; Maxwell Graham, Director, Essex Street, New York
Moderator: Franklin Boyd, Founder, Xipsy, New York
Date: Sunday, December 4, 2016, 1pm to 2pm
Filmed on site at Art Basel in Miami Beach 2016
Thursday, January 12, 2017
Must-See Art Exhibitions For 2017
1. Matisse in the Studio at the Royal Academy of Arts, London: August 5 - November 12, 2017
2. Anni Albers: Touching Vision at Guggenheim Bilbao: September 30, 2017 – January 14, 2018
3. David Hockney at Tate Britain, London: February 9 – May 29,2017
4. Margiela: The Hermès Years at MoMU Antwerp: March 31 – August 27, 2017
5. Queer British Art at Tate Britain, London: April 5 – October 1 2017
6. Pink Floyd: Their Mortal Remains at V&A, London: May 13 – October 1, 2017
7. Modigliani at Tate Modern, London: November 22, 2017 – April 2, 2018
8. Rei Kawakubo/Comme des Garçons at Metropolitan Museum of Art, New York: May 4 – September 4, 2017
9. Wolfgang Tillmans at Tate Modern, London: February 15 – June 11, 2017
10. Eduardo Paolozzi at Whitechapel Gallery, London: February 16 – May 14, 2017
Salon | Artist Talk | The Artist as Composer
Molly Palmer, Artist, London; Susannah Stark, Artist, London; Kathryn Mikesell, Founder, The Fountainhead Residency and Studios, Miami; Rachel Mason, Artist, Los Angeles
Moderator: William J. Simmons, Lecturer, City College of New York, New York
Date: Sunday, December 4, 2016, 2pm to 3pm
Filmed on site at Art Basel in Miami Beach 2016
Impressionism Revenge of the Nice DVB
Matthew Collings has a wonderfully simple and funny way of making you understand the when, where, why and how of important is art so this programme will get your head around impressionism in a couple of hours.
Matthew Collings will reappraise the Impressionists. The four stars are Courbet, Manet, Monet and Cezanne. In two hours their stories and their art will intertwine.
Matt will unpack the principles of Impressionism - the strength of color, the flatness, the patterning and the way in which ordinary life is pictured with startling truth - and argue that this is the best thing that has ever happened in modern art.
He will also show that although the contemporary art world seemingly despises Impressionism it is only because of Impressionism that the avant-garde came to be.
Wednesday, January 11, 2017
BBC Fine Art Collection 1 of 7 Mad About Monet
The original art is a human desire, depicting life through a variety of ways, but who are the masters of it? The expression means they must be unique individuals, while also embracing life. "Art Collection" by the BBC performs elaborate and time-consuming search through the years, shuttling around the museums, galleries and private collections in the world and visiting around artists friends and family. It is also showing enjoyment through the creation of classics, interspersed with an introduction to the life of the great masters of art from various periods to gain insight into their artistic core.
Mad About Monet
Oscar Claude Monet (1840-1926) A portrait of the life, work and legacy of the world's most popular artist. Featuring celebrity fans and artists, Monet's descendants, and footage of the top secret, high risk, logistical nightmare of moving 80 huge Monet paintings across the Atlantic, as the greatest exhibition of his work moves from Boston to London.
Salon | Artist Talk | Howardena Pindell: Travelogues
Howardena Pindell, Artist, New York, in conversation with Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art, Chicago, and Valerie Cassel Oliver, Senior Curator, Contemporary Arts Museum, Houston
Date: Saturday, December 3, 2016, 3pm to 4pm
Filmed on site at Art Basel in Miami Beach 2016
Salon | Discussion | Why is Gender Still an Issue?
Maura Reilly, Director, National Academy Museum and School, New York; Joan Snyder, Artist, New York; Paul Schimmel, Vice President and Partner, Hauser Wirth & Schimmel, Los Angeles; Susan Fisher Sterling, Director, National Museum of Women in the Arts, Washington D.C.
Moderator: Jillian Steinhauer, Senior Editor, Hyperallergic, New York
Date: Thursday, December 1, 2016, 4pm to 5pm
Filmed on site at Art Basel in Miami Beach 2016
Salon | Discussion | LA and the Proximity Factor
Mary Leigh Cherry, Co-Owner, Cherry and Martin, Los Angeles; Thao Nguyen, Art and Design Agent, Creative Artists Agency, Los Angeles; Philipp Kaiser, Independent Curator, Los Angeles; Lita Albuquerque, Artist, Los Angeles
Moderator: Jori Finkel, Journalist, The Art Newspaper and The New York Times, Los Angeles
Date: Saturday, December 3, 2016, 2pm to 3pm
Filmed on site at Art Basel in Miami Beach 2016
Tuesday, January 10, 2017
Salon | Art Market Talk | The State of the Emerging Art Market
Rob Teeters, Principal, Front Desk Apparatus, New York and Artistic Director, The Power Station, Dallas; Shelley Fox Aarons, Collector and Supporter of Contemporary Art, New York; Kenny Schachter, Writer, Art Dealer and Lecturer, London; Stefania Palumbo, Co-Director, Supportico Lopez, Berlin
Moderator: Sarah Douglas, Editor-in-Chief, ARTnews Magazine, New York
Date: Friday, December 2, 2016, 4pm to 5pm
Filmed on site at Art Basel in Miami Beach 2016
Aldo Tambellini - Cathodic works - 1966-1976 - Disc 2
DVD 2
- Minus One (1969, 2" on ½", b&w, sound, 21')
- 6673 (1973, ½", color, sound, 32')
- Clone (1976, ½", b&w, sound, 40')
all materialis a transfer
from the original tapes,
non edited and
non manipulated
courtesy of Aldo Tambellini Archive
mastering/design by Von archives
curated by Pla bolognesi / Giulio bursi
Aldo Tambellini - Cathodic works - 1966-1976 - Disc 1
Aldo Tambellini - Cathodic Works - 1966-1976
Von -- VON 014 DVD
DVD 1
- Black Video 1 (1966, ½", b&w, sound, 31')
- Black video 2 (1966, ½", b&w, sound, 28')
- Black Spiral (1969, 16mm reversal, b&w, static sound, 6')
- Black Video 1 projections (1966, ½", b&w, sound, 18')
- Interview at the Black Gate Theatre (1967, ½", b&w, sound, 2')
DVD 2
- Minus One (1969, 2" on ½", b&w, sound, 21')
- 6673 (1973, ½", color, sound, 32')
- Clone (1976, ½", b&w, sound, 40')
all materialis a transfer
from the original tapes,
non edited and
non manipulated
courtesy of Aldo Tambellini Archive
mastering/design by Von archives
curated by Pla bolognesi / Giulio bursi
2 × DVD
Italy
Released: 2012
edition of 1000
VCS/VonClassic series
**************************************************************
This double DVD release presents for the first time a selection of the cathodic experimental works from the seminal Italo-american artist Aldo Tambellini, a selection of classic documents of one of the first pioneers of video art and audiovisual experimentation from New York east side scene of the 60s and 70s.
Monday, January 9, 2017
Claude monet - Artists Studios
A good studio for an artist is a very important place. Our creative studios might sometimes look like a pile of rubbish or a mixed-up room, but this is where great creations are born!
This is a view of Claude Monet standing in his first studio amidst his favorite canvases. The light of the afternoon is almost palpable.
This room located in his main house at Giverny was turned into his sitting-room after 1890.
When Monet became successful, he built a new house in the corner of his garden, where he moved his studio. He had now a well lit large room to work in and to store his paintings. The former studio became a place where he used to have a liquor after lunch, where he would sit to read a gardening book or a novel by Maupassant. Monet also used to write many letters.
The paintings for sale where displayed in the second studio whereas he kept the ones he cherished too much to sell them in the first studio.
The picture was made in springtime according to the tulips behind Monet. The photo reveals how much the painter loved flowers. There were at least six vases in his studio on this day!
Saturday, January 7, 2017
Friday, January 6, 2017
ALDO TAMBELLINI _ Study of Internal Shapes and Outward Manifestations 2015
https://en.wikipedia.org/wiki/Aldo_Tambellini
http://www.aldotambellini.com/
ALDO TAMBELLINIStudy of Internal Shapes and Outward Manifestations2015multiscreen installation, HD, colour, sound, 10’.Produced by: James Cohan Gallery (New York/Shanghai), ZKM Center for Art and Media (Karlsruhe), AS Art Consultant (Salem, MA), Atelier Impopulaire (Milan/Berlin). Slides:Internal and Animated Series (1965-69). Film: Black Film Series (1965-69). Sound: Aldo Tambellini Archive. Sheet music: Andrea Belfi and Claudio Rocchetti. Curated by: Pia Bolognesi and Giulio Bursi.
Aldo Tambellini's BLACK TRIP (1965)
Aldo Tambellini is a pioneer experimental film and video artist. Through the uses of kinescope, video, multimedia, and direct painting on film, an impression is gained of the frantic action of protoplasm under a microscope where an imaginative viewer may see the genesis of it all.
Thursday, January 5, 2017
Aldo Tambellini's BLACK IS (1965)
Aldo Tambellini is a video and film pioneer. This experimental film was made entirely without the use of a camera. "Working directly on 16mm ... I scratched, perforated, drew,used acid and other substances on the surface of the leader. ... The movement of the projector (30 frames per second) created the animated rhythm of the film. To get down to the essentials: light and motion." (Aldo Tambellini)
soylent green (1973) : dictaphone | aldo tambellini
• Artist: Dictaphone. Album: "Poems from a Rooftop" (2012). Track #4: "Soylent Green (1973)". Unofficial video.
• Scenes from "Black" (Aldo Tambellini, in "The Medium is the Medium" by Various Artists, 1969). Infos and original film: http://www.ubu.com/film/tambellini_me...
Wednesday, January 4, 2017
Rutger de Vries (NL 1987)
CMYK extinguishers (2016)
Installation
Sunday, January 1, 2017
Map Marathon _ Michael Craig-Martin in conversation with Hans Ulrich Obrist
The Serpentine Gallery Map Marathon, the fifth in the Serpentine Gallery's series of Marathons, celebrated a number of key anniversaries: the 40th anniversary of the Serpentine Gallery, the 10th anniversary of the annual architecture commission, the Serpentine Gallery Pavilion, and the 2500th anniversary of the first, original Marathon, in 490 B.C.
Subscribe to:
Posts (Atom)